TEMPERATURE AND BAMBOO, WOOD, AND BONE FLUTES

 Musical instruments, in general, are designed to be played at temperatures ranging from 20°C to 24°C, and this includes native instruments as well. In this article, we will discuss bamboo, a preferred material for the construction of native flutes due to its unique vibration.

Bamboo is a highly temperature-sensitive material. Bamboo flutes are designed to be played at the temperatures mentioned above. Bamboo tends to lower its factory tuning by half a step when exposed to cold climates, and conversely, it raises its factory tuning by half a step when exposed to extremely hot climates.

 

Therefore, those who play street music in cities with extreme climates should take this variable into account when selecting the original tuning of their bamboo flutes. In cold climates, if you aim to achieve a tuning of 440Hz, it is recommended to play with a flute whose factory tuning for temperatures of 20°C to 24°C is 445Hz, as the tuning tends to drop by half a step in the cold. In the case of extremely hot climates, the recommendation is the opposite. It is advisable to play with flutes manufactured at 435Hz to achieve a tuning of 440Hz.

 

Generally, the climate does not affect wood flutes in the same way, as their tuning remains unaffected. However, extreme temperature changes can cause cracks in some woods. Woods such as ebony, guayacan, jacaranda, among others, are quite resistant to these changes.

 

Temperature does not play a role in altering the tuning of bone-made quenas. However, in cold climates, temperature fluctuations between the exterior and the interior of the flute when it is being played can lead to cracks in the bone. Therefore, it is recommended to play the quena in a controlled temperature environment.

The 5 Basic Quenas for Professional Wind Musicians: Exploring the Tonalities

 

The quena, an ancestral wind instrument that emanates captivating melodies, has been a cornerstone of Andean music for centuries. Its versatility, beauty, and ability to convey deep emotions make it an essential instrument for professional musicians. In this article, we will explore the 5 basic quenas that every professional wind musician should have in their repertoire, highlighting the tonalities and nuances that each one brings to their music. 

1. Quenacho in C Major

The quenacho in C Major is a fundamental choice for the professional musician. Its tonality allows for the interpretation of songs in D minor and A minor, making it the perfect option for musical pieces with a melancholic, smooth, and relaxing tone. Its deep sound adds a unique richness and depth to compositions. 

2. Quenacho in D Major

The quenacho in D Major is another essential component in the wind musician's repertoire. Although its sound is slightly higher than the quenacho in C Major, it still brings a unique depth to compositions. With the ability to play songs in E minor and B minor, this instrument is perfect for pieces that require a this range of tonalities.

3. Quena in F Major

The quena in F Major is the ideal choice when seeking softer and more delicate sounds. This tonality allows for the interpretation of songs in G minor and D minor, offering a more delicate option for playing melodies that require a special touch. It is perfect for pieces that aim for a soft and emotive nuance. 

4. Quena in G Major: The Favorite and Most Versatile

The quena in G Major is undoubtedly the most commonly used by professional wind musicians. Its versatility allows for playing songs in A minor and E minor naturally, and with skill, it is possible to obtain tonalities in B minor and D minor. The choice of this tonality is essential to accommodate the key in which the singer is performing, making it a crucial element in any musical ensemble. 

5. Quena in A Major: Perfect for Specific Tonalties

Last but not least, the quena in A Major is essential for playing in tonalities such as B minor and F# minor. In certain regions, such as Ecuador, it is widely used to interpret san juanito in B minor, as well as in the Peruvian huayno. This quena is indispensable for preserving the authenticity of specific musical traditions. 

In summary, the choice of quenas for a professional wind musician is a crucial decision. Each tonality offers unique nuances and depth to the music, and the combination of these quenas in the repertoire allows for a versatile and moving performance. An experienced musician knows that they don't just play the quena but also immerse themselves in the essence of each tonality, conveying emotions and stories through music. Each quena is a brush in the hands of an artist, and the choice of these five basic tonalities is essential for painting an exceptional musical canvas.

How musical instruments were tuned in the Inca culture

 

 

The Inca culture, which flourished in ancient Peru from about the 15th century until the arrival of the Spanish conquistadors in the 16th century, had its own musical and tuning practices. Although we do not have detailed records of how they precisely tuned their instruments, we can infer some things about their music and tuning based on the information available about their instruments and musical traditions. 

 

The Incas used a variety of musical instruments, some of which included: 

1. **Quenas**: As I mentioned previously in another article, quenas are wind instruments from the flute family that were played by blowing air through them. The tuning of the Inca quenas could vary, but they were generally adapted to the pentatonic scale, which consists of five notes and is common in many musical cultures around the world.

 

2. **Drums and percussion**: The Incas also used drums and other percussion instruments. The tuning of these instruments may vary depending on their construction and specific purpose. Hand drums, for example, were tuned by hitting different areas of the drum surface to obtain different pitches. 

 

3. **String instruments**: The Incas did not know string musical instruments until Spanish colonization. When they discovered the guitar, they modified it until they obtained the "charango", a type of small string guitar, similar to the lute. The tuning of these instruments was probably based on specific scales and varied depending on the music to be performed. 

 

 

 

4. **Ceremonies and rituals**: Music in Inca culture played a fundamental role in religious ceremonies and rituals. In these cases, the tuning could have been related to spiritual and symbolic aspects of the music, rather than a specific tuning in terms of Hertzian frequencies. In summary, although we do not have exact tuning in hertz like that used in contemporary Western music, we know that Inca music was based on specific scales and modes, and that instruments were tuned according to their musical and cultural traditions. Inca music played an important role in the life of this ancient civilization, both religiously and socially, and followed musical patterns and structures specific to their time and culture.

 

 

QUENA FINGERINGS - QUENA FINGER CHART

The position of the fingers in the Quena (Andean flute) varies according to the note on which the quena has been made.

The position of the fingers with all the holes covered is that the name to the quena. In other words, a quena in G, it sounds in G with all the holes covered. Similarly, a quena in F sounds in F with all the holes covered. So on.

 

 Quena in G major - Relative E minor:

 

 

 

 

Quena in F major - Relative D minor :

 

Quena in D major - Relative B minor :

 

 Quena in C major - Relative A minor :

Quena in B major - Relative G-sharp minor :  

MAINTENANCE OF QUENAS, ZAMPOÑAS, PANFLUTES

 

 

One of the biggest enemies of our bamboo and wood flutes is fungi. When stored for a long time, fungi can grow inside or accumulate dust, which affects the sound of the flute.

Here are some tips that can be applied to the care of your quena or pan flute:

1. After using our wind instruments and before storing them, we must remove any saliva that may have remained. Using a cotton cloth, disinfect the mouthpiece of the tube with 75% medical alcohol.

2. Then sprinkle the inside and outside with almond oil (it can also be coconut oil, olive oil, linseed oil). To apply the oil to the inside of the tube, use a brush of the type used to clean test tubes which has the proper diameter to enter the flute.

 

You can make an oiling tool inside the flutes yourself using a wooden stick or reed with pieces of string tied at the end.

3. If you have stored your flute for a long time, before using it be sure to clean the dust that may be inside. To do this, clean it with a clean test tube brush and then apply almond oil.

4. In case of finding your flute with fungus, clean with a cloth soaked in sodium hypochlorite. Let dry. Then apply almond oil.

5. Always use your flute lightly oiled for more beautiful sounds.

6. Never oil a quena made of bone. The bone tends to stain and lose its beauty.

7. Avoid leaving your flute in direct sunlight for long periods of time. Extreme heat can dry out or crack your flute.

8. Avoid hitting your flute. A small crack may not be seen and it will change the sound of the flute.

9. Extreme temperatures temporarily alter the pitch of flutes made of bamboo. Bamboo flutes are tuned to be played at a certain temperature (Saloon temperture).

10. If you are a beginner in quena, or do not have enough force to blow, ask to the makerfluter a thinner quena than the standard one.